Hans and his wife Rose take in Liesel as their own after the death of her mother and brother. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one: ). Liesel did not let Hans down, because she would never do anything to endanger her Mama and Papa. Hans shows tons of courageousness for bringing him in even though he knows the consequences for his family if they are caught. By bringing up the accordion, it evokes the relationship between Hans and Erik, Max's father. . [Hans pulls Max into house. Shuts door. Max collapses onto floor.] An un-special person. The Jew, Max, is welcomed with open arms into the Hubermann household. He’s a man who keeps his promises so he could not decline Max’s arrival, but the situation was difficult for Hans as if he got caught, him and his family would be in great danger and would most likely be killed. . To most people, Hans Huberman was barely visible. "On the other was the squat shape of Rosa Hubermann, who looked like a small wardrobe with a coat thrown over it. Hans is Liesel's foster father, her Papa. "After ten minutes of excruciating discipline, Liesel made her way to the corridor, and what she saw truly amazed her, because Rosa Hubermann was at Max Vandenburg's shoulder, watching him gulp down her infamous pea soup. An un-special person. His musical ability was better than average. Certainly his painting skills were excellent. The Jew, Max, is welcomed with open arms into the Hubermann household. I have included this quote because it shows there is a previous relationship between Max and Hans. Finally, Liesel’s foster father Hans Hubermann feels this well-known emotion as well but in slightly different ways. An un-special person. Mama was grave. Max tells us that he is tired of Death taking the people he loves away from him, and when it is his turn, he will be sure to put up a good fight. . Max asked Hans one question that could be taken in two ways.... from the text: “Do you still play the accordion?” Of course, the question was really, “Will you still help me?” This exchange confirms that Max is at the right place, and also the reason Max has gone to the Hubermann … Max tells us that he is tired of Death taking the people he loves away from him, and when it is his turn, he will be sure to put up a good fight. Somehow, though . He had to be sure Liesel would keep the secret so the whole family and Max would be safe. Almost cute, if it wasn't for her face, which was like creased-up cardboard and annoyed, as if she were merely tolerating all of it" (Zusak). This is the second line Max speaks to Hans when he finally makes it to Himmel Street. The few occasions when Hans is strict or harsh with Liesel, he is acting not out of anger but because he wants to protect her and teach her something. Hans major conflict in this story is the situation of hiding Max in his basement. Quotes Hans Hubermann Quotes. #2: “To most people, Hans Huberman was barely visible. His musical ability was better than average. He is an important person in Liesel's life. . #2: “The human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. There was a distinct waddle to her walk. The consequence of this is that I’m always finding humans at their best and worst. Bringing up the accordion evokes the relationship between Hans and Erik, Max's father. When Hans leaves for the war, the accordion comes to symbolize Hans himself, as Rosa silently wears it at night without playing a note.